NATIONAL PERFORMANCE
SAMBA QUE SOMA - Núcleo da tribo + o Samba Duro do Porto de Trás (Itacaré/BA)
The investigation presents the memories that collectively govern Samba Duro, from the Porto de Trás neighborhood, Quilombo Urbano, Itacaré-BA. Dance narratives emerge in the meeting of generations, movements and affections. It is in the updating of memories of the constructions of the wattle and daub houses, built together, in the movement of hands and feet, in singing, in daily actions: work, fun, position and protection, that make up creation. Samba que Soma is a plural act, a call, the care for our surroundings.
DATE: 09/11, SAT
TIME: 9:30 p.m.
LOCATION: Centro Cultural Porto de Trás, Itacaré/BA
TECHNICAL INFORMATION
Artistic direction and creation: Verusya Correia
Creation and performance: Ana Claúdia C. dos Santos, Arionice Sá, Cláudia Rocha, Myreia Barbarella, Monaliza Moreira, Nathalia Assunção, Saiomaria Nascimento, Valmilson Péricles and Vauene Sá
Musicians: Darlan Santos, Guilherme Nascimento (Pitche) and Sebastião Filho (Mestre Tião)
Designer and lighting operation: Márcio Nonato
Poetry: Victória Vick
Photography: Bruno Morais
Costume design: Maria Soso
Production: Casa Ver Arte
Soundtrack: Ronda by Ramiro Mussotto, Toc – Instrumental by Tom Zé and Adagio for String, Op. 11 by Samuel Barber
Live soundtrack: Unindo corações, Foi você, O samba chegou de Sebastião Filho (Mestre Tião)
Núcleo da Tribo
Núcleo da Tribo is made up of capoeira dancers. In 2008, the group began studies related to the dialogue with contemporary dance, through shows and urban interventions. These investigations began precisely with Verusya Correia, a doctoral student and Master of the Postgraduate Program in Dance at UFBA. In recent years, we have produced three contemporary dance shows: Os filhos os contos, Vamos pra costa? and Toque de guerra; the workshop Da Totalidade ao Vamos pra costa?; two filmed dances (Vamos pra costa? and Samba que Soma) and artistic interventions. All of these scenic investigations were based on analyses of the local context, reports of the experiences lived by residents of the Porto de Trás neighborhood – Quilombo Urbano. Giving visibility to the ways of organizing and composing poetics related to everyday life, the black bodies of residents of the Porto de Trás, in the city of Itacaré/BA. Her research focuses on the relationship between dance, the city and the black body.
Samba Duro do Porto de Trás
Samba Duro do Porto de Trás: a quilombola collective led by Mestre Tião, has a rhythm called beira mar. The musical compositions and movements that govern the samba address the memories and daily actions of the Porto de Trás neighborhood.
