{"id":454,"date":"2024-10-27T21:37:26","date_gmt":"2024-10-27T21:37:26","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/?p=454"},"modified":"2024-11-03T10:35:36","modified_gmt":"2024-11-03T10:35:36","slug":"samba-que-soma","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/samba-que-soma\/","title":{"rendered":"SAMBA QUE SOMA"},"content":{"rendered":"\t\t
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ESPET\u00c1CULO NACIONAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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SAMBA QUE SOMA - N\u00facleo da tribo + o Samba Duro do Porto de Tr\u00e1s (Itacar\u00e9\/BA)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A investiga\u00e7\u00e3o apresenta as mem\u00f3rias que rege coletivamente o Samba Duro,\u00a0 do bairro Porto de Tr\u00e1s, Quilombo Urbano, Itacar\u00e9-BA. Narrativas dan\u00e7antes emergem no encontro de gera\u00e7\u00f5es, movimentos e afetos. \u00c9 na atualiza\u00e7\u00e3o das mem\u00f3rias das constru\u00e7\u00f5es das casas de taipa, erguidas em conjunto, no movimento das m\u00e3os e p\u00e9s, no canto,\u00a0 nas a\u00e7\u00f5es cotidianas: trabalho, divertimento, posi\u00e7\u00e3o e prote\u00e7\u00e3o, comp\u00f5em a cria\u00e7\u00e3o. Samba que Soma \u00e9 ato\u00a0 plural, um chamado,\u00a0 o cuidado\u00a0 no nosso entorno.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATA<\/strong>: 09\/11, S\u00c1B<\/span><\/p>

HOR\u00c1RIO<\/strong>: 21h30<\/span><\/p>

LOCAL<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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FICHA T\u00c9CNICA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dire\u00e7\u00e3o art\u00edstica e Cria\u00e7\u00e3o<\/strong>: Verusya Correia<\/p>

Cria\u00e7\u00e3o e Performance<\/strong>: Ana Cla\u00fadia C. dos Santos, Arionice S\u00e1, Cl\u00e1udia Rocha, Myreia Barbarella, Monaliza Moreira, Nathalia Assun\u00e7\u00e3o, Saiomaria Nascimento, Valmilson P\u00e9ricles e\u00a0 Vauene S\u00e1<\/p>

M\u00fasicos<\/strong>: Darlan Santos, Guilherme Nascimento (Pitche) e Sebasti\u00e3o Filho (Mestre Ti\u00e3o)<\/p>

Designer e opera\u00e7\u00e3o de luz<\/strong>: M\u00e1rcio Nonato
Figurino: Maria Soso<\/p>

Poesia<\/strong>: Vict\u00f3ria Vick<\/p>

Fotografia<\/strong>: Bruno Morais<\/p>

Figurino<\/strong>: Maria Soso (espa\u00e7o)<\/p>

Produ\u00e7\u00e3o<\/strong>: Casa Ver Arte<\/p>

Trilha sonora<\/strong>:\u00a0 Ronda de Ramiro Mussotto, Toc – Instrumental de Tom Z\u00e9 e Adagio for String, Op. 11 de Samuel Barber<\/p>

Trilha sonora ao vivo<\/strong>: Unindo cora\u00e7\u00f5es,\u00a0 Foi voc\u00ea, O samba chegou de Sebasti\u00e3o Filho (Mestre Ti\u00e3o)\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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N\u00facleo da Tribo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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N\u00facleo da Tribo \u00e9 composto por capoeiristas-dan\u00e7arinos. Em 2008 o grupo come\u00e7ou estudos ligados ao di\u00e1logo com a dan\u00e7a contempor\u00e2nea, atrav\u00e9s de espet\u00e1culos e interven\u00e7\u00f5es urbanas. Essas investiga\u00e7\u00f5es tiveram in\u00edcio exatamente com Verusya Correia, doutoranda e Mestre do Programa de P\u00f3s-Gradua\u00e7\u00e3o em Dan\u00e7a da UFBA. Nestes \u00faltimos anos, produzimos tr\u00eas espet\u00e1culos de dan\u00e7a contempor\u00e2nea: Os filhos os contos, Vamos pra costa? e o Toque de guerra; a oficina Da Totalidade ao Vamos pra costa? duas dan\u00e7as filmadas (Vamos pra costa?\u00a0 e Samba que Soma) e interven\u00e7\u00f5es art\u00edsticas. Todas essas investiga\u00e7\u00f5es c\u00eanicas partiram das an\u00e1lises do contexto local, relatos das experi\u00eancias vividas pelos moradores do bairro Porto de Tr\u00e1s \u2013 Quilombo Urbano. Dando visibilidade aos modos de organiza\u00e7\u00e3o e composi\u00e7\u00e3o das po\u00e9ticas relacionado ao cotidiano, os corpos negros dos moradores do bairro Porto de tr\u00e1s, no munic\u00edpio de Itacar\u00e9\/BA.\u00a0 E tem em sua investiga\u00e7\u00e3o a rela\u00e7\u00e3o entre dan\u00e7a, cidade e corpo negro.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Samba Duro do Porto de Tr\u00e1s<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Samba Duro do Porto de Tr\u00e1s, coletivo quilombola \u00a0regido pelo Mestre Ti\u00e3o,\u00a0 tem como ritmo\u00a0 beira mar.\u00a0 As composi\u00e7\u00f5es musicais e movimentos\u00a0 que regem o samba \u00a0 abordam as mem\u00f3rias e a\u00e7\u00f5es cotidianas do bairro Porto de Tr\u00e1s.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ESPET\u00c1CULO NACIONAL SAMBA QUE SOMA – N\u00facleo da tribo + o Samba Duro do Porto de Tr\u00e1s (Itacar\u00e9\/BA) A investiga\u00e7\u00e3o apresenta as mem\u00f3rias que rege coletivamente o Samba Duro,\u00a0 do bairro Porto de Tr\u00e1s, Quilombo Urbano, Itacar\u00e9-BA. Narrativas dan\u00e7antes emergem no encontro de gera\u00e7\u00f5es, movimentos e afetos. \u00c9 na atualiza\u00e7\u00e3o das mem\u00f3rias das constru\u00e7\u00f5es das […]<\/p>\n","protected":false},"author":1,"featured_media":456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-espetaculo-nacional"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/posts\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/comments?post=454"}],"version-history":[{"count":10,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/posts\/454\/revisions"}],"predecessor-version":[{"id":564,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/posts\/454\/revisions\/564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/media\/456"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/media?parent=454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/categories?post=454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/wp-json\/wp\/v2\/tags?post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}