{"id":799,"date":"2024-10-27T22:01:25","date_gmt":"2024-10-27T22:01:25","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/bananada\/"},"modified":"2024-11-03T18:15:56","modified_gmt":"2024-11-03T18:15:56","slug":"bananada","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/bananada\/","title":{"rendered":"BANANADA"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Bananada\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WORKSHOP PERFORMANCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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BANANADA - Marcelo Evelin\/Demolition Incorporada (Teresina\/PI)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BANANADA is a physical and sound choreographic object created for\/with 24 body artists. It is situated between installation and performance, continuing a research carried out by the Demolition Incorporada platform around other scenic devices and other conditions of performativity, inviting the spectator to a situation of subjective and participatory horizontality. It happens as a collective rite and a common experience, with the body acting as intervener and devourer, a source of actions that infer meaning to a condition of possibility and the place of their disposal. It will be processed in cumulative stages, research phases with public presentations until reaching its definitive structure. For the Festival de Itacar\u00e9, we propose one of the 3 actions planned for the project, involving voice and movement, narrative and choreography, as a practice of performative creation to be shared with the participants and the public. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Workshop<\/strong><\/p>\n

WORKSHOP DATES<\/strong>: 11\/04 to 11\/10<\/span><\/p>\n

TIME<\/strong>: 2pm to 6pm<\/span><\/p>\n

LOCAL<\/strong>: Clube Municipal de Itacar\u00e9, Itacar\u00e9\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Presentation<\/strong><\/p>\n

DATE:<\/strong> 11\/10, SUN<\/span><\/p>\n

TIME<\/strong>: 9 pm<\/span><\/p>\n

LOCATION<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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:Creation and Artistic Direction:<\/strong> Marcelo Evelin<\/p>\n

Assistance and Collaboration<\/strong>: Bruno Dias Moreno, Victor Guilherme Fontineles de Areia, Rosangela Fagundes Sulidade and Vanessa Nunes Soares<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Marcelo Evelin<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Marcelo Evelin is a dancer, choreographer and researcher. He lives between Teresina and Amsterdam and works in Brazil, Japan and several European countries as an independent artist leading the Plataforma Demolition Incorporada, based at CAMPO, a space for residency and resistance of the performing arts in Teresina, Piau\u00ed. His shows \u201cAi Ai Ai\u201d, \u201cBarricada\u201d, \u201cA Inven\u00e7\u00e3o da Maldade\u201d and \u201cUirapuru\u201d are currently touring theaters and festivals around the world. He has taught at the Amsterdam School of Arts since 1999 and has been creating projects with universities and master’s courses, including ISAC (Brussels), the Museu Reina Sofia (Madrid), EXERCE (Montpellier) and CND (Paris). In 2019 he received the title of Doctor Honoris Causa from the Universidade Federal do Piau\u00ed. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

WORKSHOP PERFORMANCE BANANADA – Marcelo Evelin\/Demolition Incorporada (Teresina\/PI) BANANADA is a physical and sound choreographic object created for\/with 24 body artists. It is situated between installation and performance, continuing a research carried out by the Demolition Incorporada platform around other scenic devices and other conditions of performativity, inviting the spectator to a situation of subjective […]<\/p>\n","protected":false},"author":1,"featured_media":696,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-workshop-performance-en"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=799"}],"version-history":[{"count":1,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/799\/revisions"}],"predecessor-version":[{"id":800,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/799\/revisions\/800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/696"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}