{"id":793,"date":"2024-10-27T21:37:26","date_gmt":"2024-10-27T21:37:26","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/samba-que-soma\/"},"modified":"2024-11-03T18:05:04","modified_gmt":"2024-11-03T18:05:04","slug":"samba-que-soma","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/samba-que-soma\/","title":{"rendered":"SAMBA QUE SOMA"},"content":{"rendered":"\t\t
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NATIONAL PERFORMANCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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SAMBA QUE SOMA - N\u00facleo da tribo + o Samba Duro do Porto de Tr\u00e1s (Itacar\u00e9\/BA) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The investigation presents the memories that collectively govern Samba Duro, from the Porto de Tr\u00e1s neighborhood, Quilombo Urbano, Itacar\u00e9-BA. Dance narratives emerge in the meeting of generations, movements and affections. It is in the updating of memories of the constructions of the wattle and daub houses, built together, in the movement of hands and feet, in singing, in daily actions: work, fun, position and protection, that make up creation. Samba que Soma is a plural act, a call, the care for our surroundings. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE<\/strong>: 09\/11, SAT<\/span><\/p>\n

TIME<\/strong>: 9:30 p.m.<\/span><\/p>\n

LOCATION<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artistic direction and creation<\/strong>: Verusya Correia<\/p>\n

Creation and performance<\/strong>: Ana Cla\u00fadia C. dos Santos, Arionice S\u00e1, Cl\u00e1udia Rocha, Myreia Barbarella, Monaliza Moreira, Nathalia Assun\u00e7\u00e3o, Saiomaria Nascimento, Valmilson P\u00e9ricles and Vauene S\u00e1<\/p>\n

Musicians<\/strong>: Darlan Santos, Guilherme Nascimento (Pitche) and Sebasti\u00e3o Filho (Mestre Ti\u00e3o)<\/p>\n

Designer and lighting operation<\/strong>: M\u00e1rcio Nonato<\/p>\n

Poetry<\/strong>: Vict\u00f3ria Vick<\/p>\n

Photography:<\/strong> Bruno Morais<\/p>\n

Costume design<\/strong>: Maria Soso<\/p>\n

Production<\/strong>: Casa Ver Arte<\/p>\n

Soundtrack<\/strong>: Ronda by Ramiro Mussotto, Toc – Instrumental by Tom Z\u00e9 and Adagio for String, Op. 11 by Samuel Barber<\/p>\n

Live soundtrack<\/strong>: Unindo cora\u00e7\u00f5es, Foi voc\u00ea, O samba chegou de Sebasti\u00e3o Filho (Mestre Ti\u00e3o) <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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N\u00facleo da Tribo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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N\u00facleo da Tribo is made up of capoeira dancers. In 2008, the group began studies related to the dialogue with contemporary dance, through shows and urban interventions. These investigations began precisely with Verusya Correia, a doctoral student and Master of the Postgraduate Program in Dance at UFBA. In recent years, we have produced three contemporary dance shows: Os filhos os contos, Vamos pra costa? and Toque de guerra; the workshop Da Totalidade ao Vamos pra costa?; two filmed dances (Vamos pra costa? and Samba que Soma) and artistic interventions. All of these scenic investigations were based on analyses of the local context, reports of the experiences lived by residents of the Porto de Tr\u00e1s neighborhood \u2013 Quilombo Urbano. Giving visibility to the ways of organizing and composing poetics related to everyday life, the black bodies of residents of the Porto de Tr\u00e1s, in the city of Itacar\u00e9\/BA. Her research focuses on the relationship between dance, the city and the black body. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Samba Duro do Porto de Tr\u00e1s<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Samba Duro do Porto de Tr\u00e1s: a quilombola collective led by Mestre Ti\u00e3o, has a rhythm called beira mar. The musical compositions and movements that govern the samba address the memories and daily actions of the Porto de Tr\u00e1s neighborhood. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

NATIONAL PERFORMANCE SAMBA QUE SOMA – N\u00facleo da tribo + o Samba Duro do Porto de Tr\u00e1s (Itacar\u00e9\/BA) The investigation presents the memories that collectively govern Samba Duro, from the Porto de Tr\u00e1s neighborhood, Quilombo Urbano, Itacar\u00e9-BA. Dance narratives emerge in the meeting of generations, movements and affections. It is in the updating of memories […]<\/p>\n","protected":false},"author":1,"featured_media":692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-national-performance"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=793"}],"version-history":[{"count":1,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/793\/revisions"}],"predecessor-version":[{"id":794,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/793\/revisions\/794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/692"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}