{"id":777,"date":"2024-10-27T21:15:34","date_gmt":"2024-10-27T21:15:34","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/humming-bird-colibri\/"},"modified":"2024-11-03T17:38:22","modified_gmt":"2024-11-03T17:38:22","slug":"humming-bird-colibri","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/humming-bird-colibri\/","title":{"rendered":"HUMMING-BIRD\/COLIBRI"},"content":{"rendered":"\t\t
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INTERNATIONAL PERFORMANCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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HUMMING-BIRD\/COLIBRI - Abdoulaye Konat\u00e9 (Fran\u00e7a\/Costa do Marfim) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bubbles, bubbles…!<\/p>\n

Becoming aware of Mother Earth and seeking other ways of life that lead to a “happy sobriety”. It is in the story of the hummingbird that he draws inspiration. It is said that the hummingbird, a tiny and fragile bird, seeks to overcome each of life’s obstacles and always does its part for the society in which it lives. An evocative, abstract and poetic choreography, in which rituals, spirituality and the reconstruction of the human being appear. Moving from one space to another, the dance reveals the intentions of Abdoulaye Tr\u00e9sor Konat\u00e9 in dialogue with the audience. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE:<\/strong> 11\/08, FRI<\/span><\/p>\n

TIME<\/strong>: 7:30 pm<\/span><\/p>\n

LOCATION<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artistic Director<\/strong>: Abdoulaye Tr\u00e9sor Konat\u00e9<\/p>\n

Dancer<\/strong>: Abdoulaye Tr\u00e9sor Konat\u00e9<\/p>\n

Set Design<\/strong>: Ikhyeon Park<\/p>\n

External Eye:<\/strong> Marc Veh<\/p>\n

Text<\/strong>: Jean-Pierre Hamon<\/p>\n

Design<\/strong>: Magalie Comoretto<\/p>\n

Production<\/strong>: Jasp<\/p>\n

Administration<\/strong>: Coralie Drutinus<\/p>\n

Delegated Production in Brazil<\/strong>: Carol Vilela<\/p>\n

Support<\/strong>: Drac Grand Est, Institut Fran\u00e7ais de Paris R\u00e9gion Grand Est, Ville de Strasbourg<\/p>\n

Co-production<\/strong>: P\u00f4le Sud \u2013 CDCN Strasbourg, P\u00f4le danse des Ardennes<\/p>\n

Residence Hosts<\/strong>: Agence Culturelle Grand Est, P\u00f4le Sud CDCN Strasbourg, Laboratoire chor\u00e9graphique de Reims, CCN Viadanse Belfort, La Fabrique Th\u00e9\u00e2tre Strasbourg<\/p>\n

*There is financial support from the Consulate General of France in Recife<\/strong> for Abdoulaye Konat\u00e9’s participation in the Festival de Dan\u00e7a Itacar\u00e9 2024. The network of Alian\u00e7as Francesas do Brasil. <\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Abdoulaye Tr\u00e9sor Konat\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Abdoulaye Tr\u00e9sor Konat\u00e9 is a French-Ivorian dancer and choreographer, artistic director of ATeKa Compagnie. Created in 2015, based in Strasbourg (France), the company is supported by the Centre de D\u00e9veloppement Chor\u00e9graphique National P\u00f4le Sud in Strasbourg. His contemporary choreographic approach and writing imbued with African spiritualities, nourished by a humanist sensibility and respect for human dignity and sacred rights, develops alongside original creations of current soundtracks. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

INTERNATIONAL PERFORMANCE HUMMING-BIRD\/COLIBRI – Abdoulaye Konat\u00e9 (Fran\u00e7a\/Costa do Marfim) Bubbles, bubbles…! Becoming aware of Mother Earth and seeking other ways of life that lead to a “happy sobriety”. It is in the story of the hummingbird that he draws inspiration. It is said that the hummingbird, a tiny and fragile bird, seeks to overcome each […]<\/p>\n","protected":false},"author":1,"featured_media":688,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[],"class_list":["post-777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-international-performance"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=777"}],"version-history":[{"count":1,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/777\/revisions"}],"predecessor-version":[{"id":778,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/777\/revisions\/778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/688"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}