{"id":771,"date":"2024-10-27T21:00:50","date_gmt":"2024-10-27T21:00:50","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/seliberation-3\/"},"modified":"2024-11-03T20:45:23","modified_gmt":"2024-11-03T20:45:23","slug":"seliberation-3","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/seliberation-3\/","title":{"rendered":"SELIBERATION #3"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"SeLiberation_3\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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VIDEO SCREENING<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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PO\u00c9TICA DEF DE ESTELA LAPPONI NO AUDIOVISUAL - Estela Lapponi (S\u00e3o Paulo\/SP) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SELIBERATION #3<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Seliberation #3 is the third video performance in the Seliberation # series, which began in 2021. #3 is a video performance of up to 5 minutes of uncoordinated, straight, tense, crooked, twisted, spiraled and limping movements, which relate to aesthetics and hemiparetic mode. The relationship between the camera and the performer is direct, as if someone knows they are being observed, likes it and provokes it. The work was contemplated by the 1\u00ba Artes Digitais – Cultura DEF do Cultura Inglesa Festival, for digital visual arts projects. These are unpublished digital artistic projects, created and\/or starring people with disabilities. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE:<\/strong> 11\/08, FRI<\/span><\/p>\n

TIME<\/strong>: 10:30 am to 1:00 pm<\/span>
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LOCATION<\/strong>: Centro de Qualifica\u00e7\u00e3o da Agricultura Familiar, Taboquinhas\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dramatic Conception of the Visuals and Sounds of the Narrative and Performance:<\/strong> Estela Lapponi<\/p>\n

Director of Photography and Camera Operation<\/strong>: Ila Giroto<\/p>\n

Soundtrack<\/strong>: Funny Walk, Epidemic Sound<\/p>\n

Still<\/strong>: Patricia Ikeda<\/p>\n

Filming Set<\/strong>: Est\u00fadio Image Art<\/p>\n

Audio Description Consultant<\/strong>: Natalia Rocha<\/p>\n

Consultant for LIBRAS, LSE and Subtitling:<\/strong> Equipe da AHU – Acessibilidade Humanista, Carol Fomin, Flavia Lima e Guilherme Felipe B\u00edpede da Bipedia Compuls\u00f3ria de Edu O.<\/p>\n

Voiceover Recording Studio<\/strong>: Conrado Goys<\/p>\n

Executive Production and General Coordination<\/strong>: Casa de Zuleika <\/p>\n

Production<\/strong>: Cultura Inglesa E Casa de Zuleika Espa\u00e7o contempor\u00e2neo<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Estela Lapponi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Estela Lapponi: Performer, video artist and poetic terrorist from S\u00e3o Paulo. Her artistic research focuses on the scenic discourse of the DEF body (person with disabilities), performative and relational practice (public), and the transition between visual and scenic languages. Since 2009, she has been carrying out investigative practices based on the concept she created \u2013 Corpo Intruso. In 2023, she launched the book Corpo Intruso- uma investiga\u00e7\u00e3o c\u00eanica, visual e conceitual. She has a master’s degree in Scenic Practices and Visual Culture from the Universidad de Alcal\u00e1 in Madrid and a specialist in Contemporary Dance Studies from the Universidade Federal da Bahia. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

VIDEO SCREENING PO\u00c9TICA DEF DE ESTELA LAPPONI NO AUDIOVISUAL – Estela Lapponi (S\u00e3o Paulo\/SP) SELIBERATION #3 Seliberation #3 is the third video performance in the Seliberation # series, which began in 2021. #3 is a video performance of up to 5 minutes of uncoordinated, straight, tense, crooked, twisted, spiraled and limping movements, which relate to […]<\/p>\n","protected":false},"author":1,"featured_media":686,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-en"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=771"}],"version-history":[{"count":3,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/771\/revisions"}],"predecessor-version":[{"id":825,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/771\/revisions\/825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}