{"id":769,"date":"2024-10-27T20:56:01","date_gmt":"2024-10-27T20:56:01","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/la-hemi\/"},"modified":"2024-11-03T20:46:26","modified_gmt":"2024-11-03T20:46:26","slug":"la-hemi","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/la-hemi\/","title":{"rendered":"LA HEMI"},"content":{"rendered":"\t\t
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VIDEO SCREENING<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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PO\u00c9TICA DEF DE ESTELA LAPPONI NO AUDIOVISUAL - Estela Lapponi (S\u00e3o Paulo\/SP) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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LA HEMI <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La Hemi is a dive into the cerebral labyrinth of a hemiparetic body, which challenges the viewer\/camera to the normality of everyday actions. A performative autofiction that explores with sensuality and humor the disruptive power of the DEF (Person with Disabilities) body. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE:<\/strong> 11\/08, FRI<\/span><\/p>\n

TIME<\/strong>: 10:30 am to 1:00 pm<\/span>
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LOCATION<\/strong>: Centro de Qualifica\u00e7\u00e3o da Agricultura Familiar, Taboquinhas\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Original Title<\/strong>: La Hemi<\/p>\n

Duration<\/strong>: 10’43” minutes<\/p>\n

Year of Production<\/strong>: 2023<\/p>\n

Genre<\/strong>: Autofiction
S\u00e3o Paulo, Brasil, 2023<\/p>\n

La Hemi<\/strong>: Estela Lapponi<\/p>\n

Directed by<\/strong>: Ila Giroto and Estela Lapponi
Screenplay: Ila Giroto<\/p>\n

Screenplay<\/strong>: Estela Lapponi<\/p>\n

Executive Production<\/strong>: Maria Laura Cesar<\/p>\n

Art Direction<\/strong>: Valter Nu<\/p>\n

Costume Design<\/strong>: Carol Almeida<\/p>\n

Makeup<\/strong>: Paulette Pink<\/p>\n

Director of Photography<\/strong>: Cac\u00e1 Bernardes<\/p>\n

Sound Editor<\/strong>: Bianca Martins<\/p>\n

Editing and Logger<\/strong>: Bruna Lessa<\/p>\n

Assistant Director<\/strong>: Barbara Heckler<\/p>\n

Sound Editor and Soundtrack<\/strong>: Fernando Sobreira<\/p>\n

Mixing<\/strong>: Ruben Valdes<\/p>\n

Post Production<\/strong>: V8 Post<\/p>\n

Still Photography and Making Of<\/strong>: Patricia Ikeda<\/p>\n

Graphic Design<\/strong>: Thulio Santos<\/p>\n

Script and Audio Description Voiceover<\/strong>: Paula Souza Lopez<\/p>\n

Audio Description Consulting<\/strong>: Felipe Mianes and Mylena Rodrigues <\/p>\n

Co-production<\/strong>: SPCine<\/p>\n

Production and Realization<\/strong>: Casa de Zuleika <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Estela Lapponi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Estela Lapponi: Performer, video artist and poetic terrorist from S\u00e3o Paulo. Her artistic research focuses on the scenic discourse of the DEF body (person with disabilities), performative and relational practice (public), and the transition between visual and scenic languages. Since 2009, she has been carrying out investigative practices based on the concept she created \u2013 Corpo Intruso. In 2023, she launched the book Corpo Intruso- uma investiga\u00e7\u00e3o c\u00eanica, visual e conceitual. She has a master\u2019s degree in Scenic Practices and Visual Culture from the Universidad de Alcal\u00e1 in Madrid and a specialist in Contemporary Dance Studies from the Universidade Federal da Bahia. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

VIDEO SCREENING PO\u00c9TICA DEF DE ESTELA LAPPONI NO AUDIOVISUAL – Estela Lapponi (S\u00e3o Paulo\/SP) LA HEMI La Hemi is a dive into the cerebral labyrinth of a hemiparetic body, which challenges the viewer\/camera to the normality of everyday actions. A performative autofiction that explores with sensuality and humor the disruptive power of the DEF (Person […]<\/p>\n","protected":false},"author":1,"featured_media":685,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video-en"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=769"}],"version-history":[{"count":5,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/769\/revisions"}],"predecessor-version":[{"id":827,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/769\/revisions\/827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/685"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}