{"id":763,"date":"2024-10-27T20:37:00","date_gmt":"2024-10-27T20:37:00","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/o-que-mancha\/"},"modified":"2024-11-03T16:22:03","modified_gmt":"2024-11-03T16:22:03","slug":"o-que-mancha","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/o-que-mancha\/","title":{"rendered":"O QUE MANCHA"},"content":{"rendered":"\t\t
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NATIONAL PERFORMANCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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O QUE MANCHA\nBeatriz Sano e Eduardo Fukushima (S\u00e3o Paulo\/SP)\n\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In this first show directed and danced by Beatriz Sano and Eduardo Fukushima, the two blur the boundaries on and off the stage. In the transition between the roles of choreographers, directors and dancers, the duo builds the work based on the intertwined vibration between voice and movement. The act of producing sound and gesture at the same time causes notions of duality, such as human and animal, woman and man, and living and dead matter to be destabilized. Mixed with each other, the two blur the bodily boundaries and investigate other possible forms of communication, opening space for two existences to broaden the imaginary of their relationships. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE<\/strong>: 11\/07, THU<\/span><\/p>\n

TIME<\/strong>: 9:30 p.m.<\/span><\/p>\n

LOCATION<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Creation and dance<\/strong>: Beatriz Sano and Eduardo Fukushima <\/p>\n

Sound design<\/strong>: Chico Leibholz<\/p>\n

Stage space and lighting<\/strong>: Hideki Matsuoka<\/p>\n

Dramaturgy<\/strong>: J\u00falia Rocha<\/p>\n

Lighting operation<\/strong>: Patr\u00edcia Savoy<\/p>\n

Executive production<\/strong>: Isabel Ramos Monteiro<\/p>\n

Administrative production<\/strong>: Cais Produ\u00e7\u00e3o Cultural Ltda<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Beatriz Sano e Eduardo Fukushima<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Beatriz Sano and Eduardo Fukushima have been collaborating for over 10 years in artistic work and in the field of teaching. With Isabel R. Monteiro and J\u00falia Rocha, they co-directed the play IMAGINE, which was selected by the 23rd Cultura Inglesa Festival (2019), and developed the project DUAS PE\u00c7AS PARA OUVIR (2021). In 2021, they created the piece O QUE MANCHA, producing a video dance and live broadcast by the 2021 Bienal Sesc de Dan\u00e7a. In-person performance at Sesc 24 de Maio, Sesc Avenida Paulista and MITbr (2024). In 2023, they created the piece HORIZONTE, presented at the Tomie Ohtake Institute in S\u00e3o Paulo and the Kusten Festival des Arts in Brussels (2024). In 2024, they choreographed the Bal\u00e9 da Cidade de S\u00e3o Paulo with the play Horizonte +. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

NATIONAL PERFORMANCE O QUE MANCHA Beatriz Sano e Eduardo Fukushima (S\u00e3o Paulo\/SP) In this first show directed and danced by Beatriz Sano and Eduardo Fukushima, the two blur the boundaries on and off the stage. In the transition between the roles of choreographers, directors and dancers, the duo builds the work based on the intertwined […]<\/p>\n","protected":false},"author":1,"featured_media":683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-national-performance"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=763"}],"version-history":[{"count":1,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/763\/revisions"}],"predecessor-version":[{"id":764,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/763\/revisions\/764"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/683"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}