{"id":757,"date":"2024-10-27T10:15:56","date_gmt":"2024-10-27T10:15:56","guid":{"rendered":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/ancestralidade-em-movimento\/"},"modified":"2024-11-03T16:01:51","modified_gmt":"2024-11-03T16:01:51","slug":"ancestralidade-em-movimento","status":"publish","type":"post","link":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/ancestralidade-em-movimento\/","title":{"rendered":"ANCESTRALIDADE EM MOVIMENTO"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"ANCESTRALIDADE\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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NATIONAL PERFORMANCE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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ANCESTRALIDADE EM MOVIMENTO - Edileusa Santos (Salvador\/BA) <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Me, you, us?
Transmission of knowledge?
History? Memory?
Principle of inclusion? Belonging?
Construction of identity? Expression of diversity?<\/p>\n

Spiral time? Does the body dance time? <\/p>\n

In light of these questions, the show \u201cAncestralidade em Movimento\u201d, taking as its reference the black-African aesthetic matrices in Bahia, in dialogue between tradition and contemporaneity with dance, music, history, image, scenography and poetry, is inspired by the universal character, combining the past, the present and the future. For the scenic elaboration, the work was based on the choreographer’s studies on a teaching methodology focused on black dance entitled \u201cCorpo Tambor: Um Novo Olhar da Dan\u00e7a de Express\u00e3o Negra\u201d. It is a ritualistic show inserted in the holistic context where everything is intertwined with the cosmos, which symbolizes the concept of \u00e0se. In this space, the circular movement symbolizes the creation and renewal of life, manifesting itself through visual representations that capture the \u00e0se of our existence. Ancestralidade em Movimento, a show by Grupo de Dan\u00e7a Contempor\u00e2nea da UFBA. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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DATE<\/strong>: 11\/6, WED<\/p>\n

TIME<\/strong>: 7:30 p.m.<\/p>\n

LOCATION<\/strong>: Centro Cultural Porto de Tr\u00e1s, Itacar\u00e9\/BA<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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TECHNICAL INFORMATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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General direction, conception and choreography<\/strong>: Edileuza Santos<\/p>\n

Production and musical direction<\/strong>: Gilberto Santiago<\/p>\n

Soundtrack\/Performance musicians<\/strong>: Gilberto Santiago, Lucas de Gal, Caroline Mota, ngelo Santiago<\/p>\n

Guest performance musician<\/strong>: L\u00e9o Jesus<\/p>\n

Musical consultant<\/strong>: Edileuza Santos<\/p>\n

Creative performers<\/strong>: Brenda Falc\u00e3o, Cau\u00e3 Borges, Isla Haiala, Joseh Jarah, Maiane Mendes, Monalisa Azevedo, Uiliane Monteiro<\/p>\n

Production<\/strong>: La\u00eds Cavalcanti\/ Ina\u00edra Gomes<\/p>\n

Graphic design<\/strong>: Jo\u00e3o Sobral, Brenda Falc\u00e3o and Uiliane Monteiro
Sound design: Ivo Concei\u00e7\u00e3o<\/p>\n

Scenographic conception<\/strong>: Edileuza Santos<\/p>\n

Scenographic realization<\/strong>: Jo\u00e3o Teixeira<\/p>\n

Lighting<\/strong>: Thelma Gualberto<\/p>\n

Costume design<\/strong>: O Grupo<\/p>\n

Costume adaptation<\/strong>: Clara Elisa Miranda<\/p>\n

Body preparatio<\/strong>n: Cec\u00edlia Bastos, Edileuza Santos and Lenira Rengel<\/p>\n

Photography<\/strong>: Ted Ferreira<\/p>\n

Communications Advisor<\/strong>: Rafael Brito<\/p>\n

Social media<\/strong>: Cau\u00e3 Borges and Uiliane Monteiro<\/p>\n

Voice<\/strong>: Joseh Jara<\/p>\n

Text adapted from Ailton Krenak<\/strong>: Edileuza Santos<\/p>\n

Sankofa screen image<\/strong>: work provided by visual artist Ronaldo Ferreira<\/p>\n

Production<\/strong>: Escola de Dan\u00e7a da UFBA<\/p>\n

Direction<\/strong>: Antrifo Sanches
Vice-direction: Gilsamara Moura<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Edileuza Santos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Edileuza Santos is a director, dancer, teacher, and choreographer. Over the years, she has studied black dance and investigated a methodology applied to contemporary dance entitled Corpo-Tambor: Um Novo Olhar da Dan\u00e7a de Express\u00e3o Negra. She taught for ten years in the Dance Degree course at the UFBA School of Dance. Through the Organiza\u00e7\u00e3o Capoeira Foundation, she completed artistic residencies in the USA: University of Florida Gainesville, University of Tennessee, Nashville-Tn, University of Alabama Birmingham-AL, University of Alaska and Boulder CO, New World Dance Theatre Miami FL. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

NATIONAL PERFORMANCE ANCESTRALIDADE EM MOVIMENTO – Edileusa Santos (Salvador\/BA) Me, you, us?Transmission of knowledge?History? Memory? Principle of inclusion? Belonging? Construction of identity? Expression of diversity? Spiral time? Does the body dance time? In light of these questions, the show \u201cAncestralidade em Movimento\u201d, taking as its reference the black-African aesthetic matrices in Bahia, in dialogue between […]<\/p>\n","protected":false},"author":1,"featured_media":677,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-national-performance"],"_links":{"self":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/comments?post=757"}],"version-history":[{"count":1,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/757\/revisions"}],"predecessor-version":[{"id":758,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/posts\/757\/revisions\/758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media\/677"}],"wp:attachment":[{"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/media?parent=757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/categories?post=757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldedancaitacare.com.br\/ANO-XII\/en\/wp-json\/wp\/v2\/tags?post=757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}